![]() "We decided to reincarnate ourselves in our own studio," he says. Wanting to step out of the stifling shadows and stressful situation of the shop where they first met, Guil and David conceptualized a studio where they could take their time and sit down with the customers-a place that was not only comfortable to create in but also inviting to its clients. Guil worked in a shop in Cologne for three years before embarking on yet another journey-this time teaming up with fellow tattoo artist David Laszlo. It was the first time I did something like that-and, without a doubt, definitely the last." The portrait was done in black and gray, mixed with ttie young man's ashes. "I was tattooing an 18-year-old man's portrait (who passed away three weeks earlier) on his father. ![]() It is perhaps this deep, personal connection he feels with each piece that emblazoned one of his clients in his memory for life. "In fact," he reveals, "when I do my initial line work, I'm trying not to think about tattooing, i just think about painting or drawing and then slowly arrange the composition to look good on skin." Inspiration for his skin art is drawn from books he's read, museums he's visited, and places he's traveled, which ends up reflecting Guil in each piece he paints on his living canvases. On a supposed three-month trip to Germany in 2003, Guil's interest in tattooing was reinvigorated when an artist invited him to exchange the secrets of tattoo technique versus painting-and Cologne, Germany, is where Guil has planted his feet ever since.ĭrawing and painting have been a staple in Gull's lite for as far back as he can remember, so it's only natural for his painting style to appear in his tattoo work. Though he began getting tattooed at 17 to get back at his girlfriend for coming home with some ink, it took Guil many years to come to the conclusion that the best medium to work with in the art arena is skin. But now that I look back on my life, somehow I have the feeling it was meant to be." "I imagined myself more in the fine arts or as an art professor. "I didn't really dream about becoming a tattoo artist," he explains. Now, as Guil slides into his sixth year as a professional tattoo artist, he examines the paths he took to get here. His travels eventually led him to Paris, which he called home long enough to earn a master's in art aesthetics, apprentice at a studio where he cleaned floors more than anything else, and become discouraged, abandoning the world of tattoos. Born and raised in Israel, Guil departed The Holy Land at the age of 21 to trek around the world, beginning with Africa. Nestled among the mountains somewhere in Vietnam, Guil Zekri interrupted his enjoyment of the breathtaking view to talk with us about his two favorite things-art and traveling.
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